There is no God outside you. Neither was, nor is, nor shall be. It is all in you. The very breath of life is Divine. – YB

LECTURE:
At that moment that person through the crises became Christ because he could forgive unforgivable done to  him  and  that’s  the  reality.    When  you  can  do  which  is  impossible  to  do  you  have made the impossible possible  that is called divine rest is all nonsense. When you can take a cup of poison drink it and make it turn into a nectar what is the medicine, all poisons given to body to kill the disease and bring the health and when you take a social poison and turn into a divine excellence, that is what spirituality is about. Your concept of spirituality may be different than mine and I am not here to impose mine on you, neither I am going to accept yours for me. I am not asking you to follow me, I am not asking you to walk with me, I am
not asking you to respect me, I am not asking you have any reverence you can live in your nuisance rest of your life it will never make a sense. The sense is only in one virtue where impossible hits you with possible
you can deal with it. Am I clear? Then impossible hit you and you turn out with possible of you possible of you  and  deal  with  it  and  don’t  become  a  monkey  all  crack  down  or  fall  apart  then  you  show  the  strength  of
God, the infinity. When the finite gets to you and you show the infinity that is what divinity is. The difference between duality and divinity is very simple in duality when time hits you, you fall apart you split and if you have any divinity I am not talking A divinity B divinity C divinity I am not branding it any divinity then when impossible hits you, time hits you, space hits you, you are just divine, you are not divided.
Duality and divinity are the two sides of the same coin called God and you want to achieve that, take the sun finger take the Surya Mudra and just like this as I am sitting straight and simple calm and quite straight up.
Hey  Rakhe  Rakhan  Har…
Calm down yourself put your eyes close them down and go through your oneness consider you are a figure one.
(The Rakhe Rakhan Har tape is played).
YB (Over the tape): Beauty is to keep those three fingers straight and let the sun energy circulate which will make it little difficult, but if you just consolidate your energy it will work out perfect.
Enough now this exercise which you have done this mudra can make the dead to rise and walk, if you perfect this mudra it is call surya mudra and that is the surya shabad. When that word and the body put it together   that’s   what   power   it   will   give   you   put   your   hand   and   say   rise   the   dead   man   will   rise,   it’s   not impossible,  it’s  conquering  the  life  breath  of  life  the  sun  energy.    And  last  of  all  which  I  like  to  deal  right
now some people have communication problem and many of you do have and we need to deal with it. You see   this   mudra   you   won’t   find   it   in   any   book   that’s   why   I   am   trying   to   relate   to   you.     The   sun   finger   is together  mercury  here  but  they  don’t  meet  normally  they  get  to  like  that  but  this  is  the  right  way  to  do  it, bent them keep them separate two fingers and  the  hand  meet  straight  just  like  that  is  the  mudra  and  that’s how the heart is. Correct?
And put that that peace lagoon of some Kaur.
Student: (—)
YB: No that peace first song of her, first song from Peace lagoon. You have that version?
Student: (—)
Okay  that’s  all  right  they  can  do  that.
Kindly concentrate get into posture calm down yourself let yourself go, neither the sun fingers meet not the index and the Saturn finger meet they are separate only the pinky that meet. is the first tape, first tape is
peace lagoon.
(The tape is played).
YB: It is all right this is to involve in us the mercury power the communication which, which if penetratingly is used and exercised give you lot of headway and that wake up Har Har Mukunde you have that? . Okay now when you are not in a position to work it out and you do not know what to do it is called zero point of self-confidence   to   get   it   back   to   normal   first   don’t   do   this   do   it   as   wide   as   you   can,   it’s   very
comfortable put your head on your hands and just go like this, correct. Close down your eyes concentrate on your navel and go for it.
(The tape is played).
(Over the tape)
YB:    (Over  the  tape)  Pump  the  navel  at  the  sound  of  Har,  when  you  hear  it.    That’s  enough.
(End of the tape)
So we are trying to give you different mudras to let the energy be regenerated in a different state of stress
and strife  in  life,  trial  triumph  to  avoid  the  tragedies,  that’s  the  purpose  of  the  Kundalini  yoga  not  to  live very long, not to live very healthy, not to be very excellent, not to be very down up, just be ready whatever it  takes.    It’s  a  very  great  concept  very  misunderstood  by  students  and  the  practitioners  of  yoga  they  don’t know what a Kundalini is. Kundalini is very simple when the time wants it the energy spins up and make you to face it and you face it good. So that excellence human excellence in performance, in achievement is called Kundalini awareness, consciousness, divinity, Godliness, whatever you want to call it, but that is the basic reality, it cannot be  changed.    And  that’s  what  all  this  about  is,  this is the science  in  which  shortest possible  time  you  can  balance  yourself  to  get  going,  get  going,  keeping  up.    Keeping  up  doesn’t  mean  to  pull yourself up. No, keeping up is absolutely balance in confrontation,  that’s called  keeping  up.    Keeping  up  not, when  you  don’t  give  in.    Now  if  something  is  wrong  and  you  have  to  give  in  you  give  in  but  you  don’t  give  in to   any   stupid   pressure.     You   don’t   give   in   to   wrong,   you don’t give in to betrayal, you   don’t   give in to tragedy.    If  you  don’t  give  in  to  exploitation  don’t  give  into  anything  you  are  you.    You  want  give  you  want to  give.    You  gave  you  gave.    It’s  a  conscious  living.    So  what  I  have  to  tried  to  cover  with  you  these,  these tapes are about thirty-one minutes, twenty-seven to thirty-one minutes something like that and with that music going with that mudra with that stimulation with that balance try it sometime by your own self. If it work for you share with others, it work for others tell them to share for everybody there is no secret there is no possibility of any reaction and then no possibility of any danger or damage, all good will come out of it.
I hope within the shortest possible time I have covered the maximum this are the things which you need in life if God willing and time permitting space granting the humanity to live we will see you again.

The  class  sings:    May  the  long  tine  sunshine  upon  you….

52 – Fifty-Two.  Kên / The Mountain

Above this Mountain’s summit another more majestic rises:
The Superior Person is mindful to keep his thoughts in the here and now.

Stilling the sensations of the Ego, he roams his courtyard without moving a muscle, unencumbered by the fears and desires of his fellows.
This is no mistake.

SITUATION ANALYSIS:

There is a higher vantage point available to you, but it is obscured by the visible peak of personal ambition.
To climb to this higher plane, you must shake off the desires and fears of the conscious, visible world around you.
To make this journey you must quiet the Ego, empty your mind of past and future, and dwell totally in the moment at hand.
Thorough mindfulness of what is before you is the only tranquility.
Be. Here. Now.

		above: Kên / Keeping Still, Mountain
		below: Kên / Keeping Still, Mountain

 

The image of this hexagram is the mountain, the youngest son of heaven and earth. The male principle is at the top, because it strives upward by nature; the female principle is below, since the direction of its movement is downward. Thus there is rest because the movement has come to its normal end. In its application to man, the hexagram turns upon the problem of achieving a quiet heart. It is very difficult to bring quiet to the heart. While Buddhism strives for rest through an ebbing away of all movement in nirvana, the Yi Jing holds that rest is merely a state of polarity that always posits movement as its complement. Possibly the words of the text embody directions for the practice of yoga. THE JUDGEMENT KEEPING STILL. Keeping his back still So that he no longer feels his body. He goes into his courtyard And does not see his people. No blame. True quiet means keeping still when the time has come to keep still, and going forward when the time has come to go forward. In this way rest and movement are in agreement with the demands of the time, and thus there is light in life. The hexagram signifies the end and the beginning of all movement. The back is named because in the back are located all the nerve fibres that mediate movement. If the movement of these spinal nerves is brought to a standstill, the ego, with its restlessness, disappears as it were. When a man has thus become calm, he may turn to the outside world. He no longer sees in it the struggle and tumult of individual beings, and therefore he has that true peace of mind which is needed for understanding the great laws of the universe and for acting in harmony with them. Whoever acts from these deep levels makes no mistakes.

Still Life with Chinese Lantern flowers. Colored lithograph, H.A. Dievenbach 1

THE IMAGE Mountains standing close together: The image of KEEPING STILL. Thus the superior man Does not permit his thoughts To go beyond his situation. Huang Shan The heart thinks constantly. This cannot be changed, but the movements of the heart – that is, a man’s thoughts – should restrict themselves to the immediate situation. All thinking that goes beyond this only makes the heart sore. 1. Hendrikus Anthonius Dievenbach (1872 – 1946), was a Dutch artist. In 1910 he settled in the village of Laren, North-Holland. Henri Dievenbach was a traditional painter who was particularly inspired by his direct environment. Apart from farmer’s interiors he made portaits of fellow-villagers. In his later life he painted especially beautiful still lifes and flower pieces, like this colored lithograph with Chinese Lanterns.