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THE IMAGE
The movement of heaven is full of power.
Thus the superior man makes himself strong and (quite) untiring.
SINCE there is only one heaven, the doubling of the trigram Chien, of which heaven is the image, indicates the movement of heaven. One complete revolution of heaven makes a day, and the repetition of the trigram means that each day is followed by another. This creates the idea of time. Since it is the same heaven moving with untiring power, there is also created the idea of duration both in and beyond time, a movement that never stops nor slackens, just as one day follows another in an unending course. This duration in time is the image of the power inherent in the Creative.
With this image as a model, the sage learns how best to develop himself so that his influence may endure. He must make himself strong in every way, by consciously casting out all that is inferior and degrading. Thus he attains that tirelessness which depends upon consciously limiting the fields of his activity.
1. The hexagram is assigned to the fourth month, May-June, when the light-giving power is at its zenith, i.e., before the summer solstice has marked the beginning of the year’s decline. [The German text reads “April-May”; this is obviously a slip, for the first month of the Chinese lunar year extends approximately from the beginning of February to the beginning of March. New Year is a variable date, falling around February 5. Two or three other slips of this sort occurring later in the book have been similarly corrected, but without special mention.]
2. [The German word used here is fördernd, literally rendered by “furthering.” It occurs again and again as a key word in Wilhelm’s rendering of the Chinese text. To avoid extreme awkwardness, the phrase “is favorable” is occasionally used as an alternative.]
3. Cf. Gen. 2: 1 ff., where the development of the different creatures is also attributed to the fall of rain. |